Paul Klee: Psychic Improvisation

Fabienne Eggelhöfer is Chief Curator and Head of Division Collections/Exhibitions/Research at the Zentrum Paul Klee since 2017, and Member of the Executive Board since 2022. She curated numerous shows at the Zentrum Paul Klee and abroad, such as at the Fundación Juan March in Madrid, Pushkin Museum in Moscow, Centro Cultural Banco do Brasil and Centro Cultural La Moneda in Santiago de Chile, and published various essays and exhibition catalogues on Paul Klee and global modern art. In 2012 she completed a research project on Paul Klee’s teaching at the Bauhaus leading to a Ph.D. degree. She studied Art History as well as French Language and Literature in Freiburg, Paris and Bern.

Max Rosenberg is an art historian and director of research and exhibitions at David Zwirner. He has a Ph.D. in art history from Yale University, and he has received grants and awards from the Dedalus Foundation, the Fulbright Program, the German Academic Exchange Service (DAAD), and the Getty Research Institute, among others. He has published articles and reviews in Art in America, Texture zur Kunst, and The Getty Research Journal, and he is the editor of Diane Arbus Documents.

Pepe Karmel is a Professor in the Department of Art History, New York University. He is the author of Picasso and the Invention of Cubism (2003), Abstract Art: A Global History (2020), and Looking at Picasso (fall 2023). He has written widely on modern and contemporary art for museum catalogues, as well as for The New York Times, Art in America, Brooklyn Rail, and other publications. He has also curated or co-curated numerous exhibitions, including Robert Morris: Felt Works (Grey Art Gallery, New York, 1989), Jackson Pollock (MoMA, New York, 1998), and Dialogues with Picasso (Museo Picasso Málaga, 2020).