Projects: Dineo Seshee Bopape

Dineo Seshee Bopape was born in the year of the golden rooster, 1981 on a Sunday. If she were Ghanaian, her name would be akosua/akos for short. Bopape lives in Southern Africa. She has shown her work internationally in numerous solo exhibitions, most recently in 2022 at Pirelli HangarBicocca, Milan; Ocean Space, Venice; and Secession, Vienna, and in 2021 at Institute for Contemporary Art at Virginia Commonwealth University, Richmond. She co-represented South Africa at the Venice Biennial in 2019.

Martha Joseph is a curator and writer specializing in contemporary art and performance. At the Museum of Modern Art, she is The Phyllis Ann and Walter Borten Assistant Curator of Media and Performance. She is on the curatorial team for The Marie-Josée and Henry Kravis Studio, MoMA’s space for live and time-based art. She has organized exhibitions, commissions, and performances, including Projects: Dineo Seshee Bopape. Before joining MoMA she worked at The Whitney and The Massachusetts Museum of Contemporary Art (MASS MoCA). She received her Masters degree in the History of Art from Williams College; a Bachelor of Arts in Art History from Oberlin College; and a Bachelor of Music in Vocal Performance from Oberlin Conservatory.

An artist-theorist and historian, Jill H. Casid holds the appointment of Professor of Visual Studies in the Departments of Art History and Gender and Women’s Studies at the University of Wisconsin-Madison. Casid is bringing to completion Doing Things with Being Undone in the Necrocene, the first part of a two-book project on Form at the Edges of Life. Casid is the author of Sowing Empire: Landscape and Colonization (Minnesota, 2005), Scenes of Projection: Recasting the Enlightenment Subject (Minnesota, 2015) which is in Spanish translation (Metales Pesados, 2022), and the co-edited collection Art History in the Wake of the Global Turn (Yale, 2014). Casid’s artwork has been exhibited nationally and internationally, most recently at the steirischerherbst ‘23 in Graz.