The New Social Environment#734
Carrie Schneider: I don’t know her
Featuring Schneider and Ayanna Dozier, with Aristilde Kirby
to
1 p.m. Eastern / 10 a.m. Pacific
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Artist Carrie Schneider joins Rail contributor Ayanna Dozier for a conversation. We conclude with a poetry reading by Aristilde Kirby.
In this talk
Visit Carrie Schneider: I don’t know her, on view at CHART through February 18, 2022 →
Carrie Schneider
Carrie Schneider has presented her photographs and videos at the Museum of Contemporary Art, Chicago, the Finnish Museum of Photography, Helsinki, Galería Alberto Sendros, Buenos Aires, and elsewhere. In March 2023, she will open Sphinx, a major museum solo exhibition at Mass MoCA, curated by Susan Cross. Her work has been reviewed in The New York Times, ArtForum, VICE, Modern Painters, and The New Yorker. She received a Creative Capital Award, a Fulbright Fellowship, and attended the Whitney Museum of American Art’s Independent Study Program and The Skowhegan School of Painting & Sculpture. Carrie serves on the board A.I.M by Kyle Abraham and lives and works in Hudson and New York City.
Ayanna Dozier
Ayanna Dozier (PhD) is a Brooklyn-based artist-writer. Her art practice centers performance, experimental film, printmaking and photography, using auto-fiction, surrealist, conceptual, and feminist methods. Her research on film navigates the history of distribution, archaeology, and radical work of Black feminist experimental filmmakers. While her current research and artwork is dedicated to examining how transactional intimacy (like sex work) redistributes care from the private sector into the public, social politics of relations. She is currently an assistant professor in communication, emphasis in film, at University Massachusetts, Amherst and is the author of Janet Jackson’s The Velvet Rope (2020).
The Rail has a tradition of ending our conversations with a poetry reading, and we’re fortunate to have Aristilde Kirby reading.
Aristilde Kirby
Aristilde Kirby is quite a few things. She has published chapbooks with Best American Experimental Writing 2020, Belladonna, & Black Warrior Review. Her book, [Daisy & Catherine²] (2022) from auric press will be back with a reissue in the spring. Her work, currently covering the bases of writing, art, & performance, has been featured in Miguel Abreu Gallery, the Haus der Kulturen der Welt, Entrance, Smack Mellon, Texte Zur Kunst’s Velvet Voice Club @ Roter Salon & soon at The Poetry Project. You can call her Aris, like Paris without the P.
❤️ 🌈 We'd like to thank the The Terra Foundation for American Art for making these daily conversations possible, and for their support of our growing archive.